Drawing a barking dog used by Rembrand as her barking dog model Night Watch Regressionism has been identified in the collection. Pepal 1619 is in drawing, which is of a drain van de van (1590-1662), and while these two designs have some differences, dogs are involved in a very specific head angle, expression, currency and collar, and chalk sketch. Night Watch Exposed to the concept of Macro-XRF, the original design of Rembrand was more similar to the Van de Van.
The original dog was discovered by researchers working at Operation Night Watch, which is a multi -year -old, a multi -year -old, multi -year -old project study and a multi -poetry project to protect Rembrand’s memorable masterpiece. The drawing looked at the 17th -century Dutch paintings’ regixs curse curators Ann lender, when she was currently dedicated to Dutch Golden Age’s artist and the author of the book, Adrin Wan de Van, who was famous in Rembrand’s time and continued in the 18th century.
Dogs was part of Front Space Self -conflict, or, on the occasion of this person and Joseph, when it is represented by the wife of Potifer, the powerful motivations between meat and soul: a divine poem: a divine poemPoet Jacob Cats was published in 1620. In this drawing, Joseph is shown the center of the light of God, raising his hands and his eyes are looking at the light. In this background, Joseph has a scene of removing himself from his wife’s attempt to drag him from his bed to his bed. The dog is on the foot of the Central Joseph, its preview is less than the ground, its head is open and the mouth is open in a bark, the dog is the same. Night Watch.
The most amazing similarity is the same rotation of each dog’s head, both look upwards in the same direction, their mouths are slightly open. Another matching feature is the dark line that indicates the position of the right eye. In addition, the scalp of both animals is divided into two, and their collar is closely compatible. However, there are small differences: the dog’s nose Night Watch For example, there is a bit flattering, and its ears are hanging down further. Rembrand made his dog’s mouth slightly more open and added a tongue.
This is the case with both dogs. As in the painting of Rembrand, Wan de Van’s drawing shows a dog digging inside the image plane, whose upper body is near the ground. The biggest difference is that the dog is inside Night Watch All four stands on their feet, while Van de Van lies on his front legs, his chest is against the ground. Unlike the drawing, there are tail and back legs in the night clock.
In a recently discovered under -painted sketch that was shown using MAXRF (Macro X -ray fluorosis) analysis, it can be seen that in the dog Night Watch Initially his right front leg was bent over, and the chest was shown near the ground. In this first presentation, the dog is lacking Night Watch Van de van was more similar than the drawing.
We know that Rembrand was a fond fond of drawings and prints, and he used them often as an inspiration, including several members of the militia. Night Watch. It was a common practice at that time. There is no record that specifically mentions the work of Van de Van in his collection, but another painting of Rembrand, Joseph accuses Potifer’s wife (1655), not only shares the theme with the drawing of Van de Van, but Joseph’s hand and eyes are beautifully towards God and the lustful, adulterated wife.
Record Masim has developed a new six parts video series about this Night Watch Which will provide new details exposed by Operation Night Watch’s research and rehabilitation teams. These videos will be posted every Wednesday on the Museum’s YouTube channel. The mystery of the dog is the subject of the first video.
