The Bible in a living color

Easter’s book

Word for the Bible comic Series
(Bristol, UK: Word Bible Comics, Word for 2024), I – IX + 84PP

By review of the review Jonathan Reading

Word for the Bible comic The purpose of the series is to present the entire Bible in the form of a graphic novel. The series currently includes ten comedians, based on individual books of the Bible, from book judges to Matthew, Mark and Luke’s Gospel. Here, I review two bright, colorful and high quality additions, book Easter and Book Book.

When both Bible books are presented in the style of a traditional comedy book, when you turn and see through a filler panel, the time behind their imagination and implementation of the time, effort and creativity. Feel Each new international version (NIV) uses them as their translation, and unlike other hilarious biblical treatment, such as Action Bible Or The brick covenantThey use actions and Easter books in their own work. This is a sufficient power, because similar posts only offer selected bits and some Bible books. To use the full texts of the Bible The word for the word A unique explanation of completing a full written text with visual understanding.

Both books include introduction how to interpret and treat comic text. This information is quite helpful, as it attracts the reader to the “and” why “of specific interpretation selection. Both also include the names of various professionals and experts who advised the Bible and religious matters as well as ancient history and culture. This is another way. The word for the word At the end of the Bible, the final, final, does not claim to be at the end. In fact, each book is the result of a specific choice by selected people.

There is a fundamental issue in this: Does the Bible’s text reflect as well as to keep readers with the limit or prejudice of the interpretation of the readers, as when a famous book treats a movie and readers who come to connect an actor with an actor before reading the film for the first time? It can reduce this scope and reduce how a written text engages. Experienced biblofiles can refer to The word for the word As an interpreted exercise in yourself, considering the authors of the MADE design selection of different characters and story elements. However, remembering The word for the word The series calls itself a “Bible comic” and highlights the choice necessary to explain both the Easter and the Act, not the “Bible”.

Acts 4: 1-4 conversion story. By The actions of the messengersWordford BibleComic.com.

Some choices work very good works, such as actions 4: 1-4 to add women to men in the conversion story. Scholars widely accepted the presence of women in many such biblical episodes, even when this text refers to the number of men present themselves (ie, Jesus reflects the number of men fed 5,000, not too much). Cleaning women, including visually. Actions are a complete book that has many characters, places and moving parts. Even the most experienced readers, it, can be confused and difficult to keep track. He said, reflecting readers to keep an eye on who they are and what they are doing.

Easter and Persian King Zarks (Easter 2: 17). By Easter’s bookWordford BibleComic.com.

With Easter, it is refreshed to see that the authors make the title character a common woman in the Persian era and do not force her to have our modern concepts of beauty, as the Bible text offers certain details about Easter’s appearance. She looks like a real human, not a supermodel moved back over time. Such choices create a place to identify with Easter for young readers, while also eliminating the need to appeal to Easter aesthetically through modern standards. In fact, Easter’s artistic imagery has made her a lot like a Queen Waste, which shows that Easter is really a woman and there is no ideal personality of beauty. This book does not clearly refrain from sexual sexual requests to spend time with the king’s numerous virgins (2: 2-4), as far as King Zarks have been shown to start disliked. In fact, the volume does not avoid difficult images and problems, including sexual charge and violent, bloody scenario. Words become more clear and superficial on the page, seeing the physical repetition that is found in the tasks. Along with the bodies of Haman and his sons, as well as the Easter, Mordechi and their fellow Jews, what is at stake is the blood of soldiers in Easter and their death.

Other choices do not last. For example, in Easter, the verses belonging to the book’s pureum have been reduced to minimum and margin, which makes this important point about the purpose of Easter. It reflects a potential Christian prejudice, as modern Jewish community considers Easter the basis of the holiday and its methods. In actions, the stylish choice of displaying Jesus as a white -haired old man and the white beard seems to be out of the place and the text. In addition, whenever the Holy Spirit speaks or speaks through someone, the speakers’ disciples disappear, and their eyes get a blue color. This makes them look like extra in the story of a superhero, which is much more than sharing the apostles in their faith. It is also strange that the “12+” age consultation in both books (in other books of the series “15+” advisory), because the Bible itself is not a protector of such a protector.

He said, the power of each volume is much more than possible shortcomings. There are complete historical explanations for a welcome addition after the end of each book. This allows readers to consider historical questions and compare non -biblical evidences to create an independent understanding of dating, structure, and actions and archeology associated with Easter. This overall power enables them everyone to have the current clear interpretations of the Bible text and the reception.